Batman: Streets of Gotham #12
Batman: Streets of Gotham is one of those series I purchase month in and month out based solely on that of reputation—for both character and writer. Paul Dini’s been one of the strongest voices in recent Bat lore, so it’s not hard to feel excited what the writer’s purveying in weeks to come.
Unfortunately, throughout its entire first year, the series has had its mix of up and down moments. Ironically, some of S.O.G.’s strongest issues come when the plots sound downright absurd (i.e. Batman & Robin chasing down Santa Claus). This month’s feature on the illusive rogue, The Carpenter, is just another one of those unforeseen instants. Thing is, Dini only laid out the issue’s plotting; customary artist Dustin Nguyen and fellow colorist Derek Fridolfs sparked up the dialogue. And, surprisingly, that’s where the issue excels.
Readers who also follow the arguably stronger of Dini’s two ongoing titles, Gotham City Sirens, are sure to be familiar with the freckled flair of The Carpenter’s tool-time hustle. When put upon by The Broker to engage in more than jostling pool sharks, lowlife henchmen and desperate dive-bar patrons, Miss Duffy (Carpenter’s surname) agrees to a deal worth dying for—meeting The Director.
The pact equates to constructing a next-level movie studio adorned in booby-traps galore, as I’m sure you can think of this vigorous villain’s proposed victim. Luckily for the reader, there’s lots of density and humor in the Director and Carpenter’s exchange; so much that you forget the ridiculousness in both their nom de plumes. In a nice little side bit, Damien plays against type, showing gratitude to Abuse for saving his life. In turn, I thank Dini for ending the morbidly inconsistent Zsasz arc. Whew.
The comic results in a rare instance for Streets of Gotham where the final panel had me craving for more. Although we’re likely to know Director’s fate for the mere face he’s a z-list Batman villain, the journey looks twice as interesting as the destination. Perhaps Nguyen should be handling more dialogue. It’d be a shame to ignore the notion that his artwork is just as pretty, but also repetitive to elucidate any further. If you don’t know by now, then shame on you.
Finally, Manhunter’s back-up “Identity Crisis” adds a little Clayton Crane-style to what’s an otherwise typically drawn comic. Szymon Kudranski’s deep, dark textures and divergent color contrasts adds something new to the series. Crisis is a rewarding little tale if you’ve been following the recent emergence of Kate’s son in the past few books. The last splash page is especially creepy.
4/5 Bags&Boards - Oh, not to mention, the cover to this comic is absolutely stunning. ‘Til then…same Bat time, same Bat channel.